![]() We all had an emotional investment because most of us had been involved in the making of this record and even been playing shows together before the record had been conceptualized. “We weren’t trying to be Alice in Chains or anything else. It’s not about the parts it’s more about tapping into the vibe and intent of the parts Jerry wanted to lay down. I think we’ve become very close friends and gel naturally. “Before we ever seriously focused our energies together musically, we’d just play for fun. We all had an emotional investment because most of us had been involved in the making of this record and even been playing shows together before the record had been conceptualized We love that stuff – he’s on both of our lists of very favorite guitarists.”įor the live shows, we noticed you played a lot of the lead parts on tracks like Siren Song and Brighten while Jerry was singing, switching back and forth throughout the set… That ended up being a really cool payoff and there’s a cool nod to David Gilmour with the slide guitars at the end. We weren’t sure how to end the song, so that’s when I suggested kicking it up into double time, for a bigger beat. It was quite a collaborative effort in terms of capturing the guitar sounds. We decided to introduce Atone because it encapsulated the record. “There was no point in Jerry doing a solo record after 19 years and trying to write ‘singles’. It also served as a great mission statement for the whole record. Maybe it’s about experiencing adversity and not becoming jaded. It’s a song about a lonely or singular individual trying to become a better person. ![]() We knew we wanted it to have a gunslinger vibe, a throwback to Westerns. Speaking of Atone, the open C# tuning created a haunting drone that resulted in one of the moodiest tracks on the record… It ended up being a very well balanced and very well-realized record that also translates very well live.” “By the time we did get to the final tracking sessions, the songs had already existed and there was already a relationship between the music and the players from a performance standpoint. I’d give him a little nudge here and there but it didn’t take much – he’s a phenomenal artist and human being. “I refused to play on the record, but he asked me to, so I think I ended up playing a few bars of bass somewhere and threw some heavy chains into a bucket for Atone, but other than that, I really wanted Jerry to handle all the guitar stuff. So that’s why I thought, ‘Let’s take this off the clock, away from a studio with the red light on and the meter running.’ It needed to develop as a conversation or story. Nobody had to make that record – it wasn’t anyone’s gig. I believe it ended up being Jerry’s favorite solo record. ![]() It wasn’t like, ‘Okay, we’re going in to cut all the tracks in however many days, here are all the songs!’ It was more a matter of curating the music with different friends playing on the songs. “We approached it more like spiritual expression. Perhaps that’s why the record came out sounding just as deliberated and composed as it did loose and free? The idea was we’d take our time so that Jerry could say everything he wanted to as an artist and guitar player, with music that had taken enough time to ferment and develop in the process…” “So that conversation turned into me offering to set the whole thing up, bringing in different players to fill the music out with. ![]() The idea was we’d take our time so that Jerry could say everything he wanted to as an artist and guitar player ![]()
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